Rhythm mapping - part #1: Approaching speeds
In a long-term study designed as a sensory and exploratory journey through the most diverse fields of rhythmic life, composer Karl Naegelen has embarked on a first phase of creation with an astonishing duo made up of Toma Gouband and Sylvain Darrifourcq. Both drummer-percussionists, they have the particularity to dig the furrow of very personal rhythmic paths. For the former, this path is strewn with stones, plants and more traditional drum elements, creating a polyphonic world that is both complex and direct. For the second, instrumental exploration is nourished by machine aesthetics and questions of temporality, space and rupture.
By bringing together these two singular, different and complementary musicians, composer Karl Naegelen invented with them an object of writing and rhythmic exploration, the result of slow shifts and phase shifts. Along the way, on the rhythmic map, the composer and his two accomplices have drawn a landscape that wasn't on the map, a landscape they hadn't foreseen, where falsely repetitive rhythms rub up against each other, and whose speeds, through their proximity, generate sonic illusions that the musicians play with relish. In a face-to-face encounter, the two musicians, equipped with headphones that give them the pulse, develop a surprisingly unsettling style of playing, situated on the edge of multiple musical aesthetics, in a field open to listening to the rhythms of the world, free from codes and chapels.
Production and distribution
Athénor scène nomade - CNCM, Saint-Nazaire
Support
La Région Pays-de-La-Loire, the Laboratoire de Mathématiques Jean-Leray and the Laboratoire des Sciences du Numérique of the University of Nantes, and the Fédération de Recherche Mathématiques Pays de Loire.
Karl Naegelen
composer, performer
Karl Naegelen studied composition at the Conservatoire de région de Lyon and then at the Conservatoire national supérieur de musique et de danse de Lyon.
He studied with Robert Pascal, Denis Lorrain and François Roux, and completed his training at the Musikhochschule in Hamburg with Peter Hamel. He also took part in numerous masterclasses, notably in Berlin with Georges Aperghis. Fascinated by improvisation and non-European music, he spent several periods in Surakarta on the island of Java in Indonesia, and seeks to preserve, in his writing, the flexibility and spontaneity characteristic of music with an oral tradition, through a constant search for sound qualities and timbres.
He writes for the Orchestre national de Lyon, the Orchestre national de Lille, the Ensemble Résonance Contemporaine, the Quatuor Béla, the Quatuor Pli, the Ensemble Linea, the Duo Bergamasque, the Ricciotti Ensemble... His works are performed in France (festivals Musica, Musique-action...) as well as abroad (Germany, USA, Japan...).
Sylvain Darrifourcq
percussionist
Sylvain Darrifourcq was trained in classical percussion before moving on to rock bands, but he discovered jazz late in life. 2004 marked the debut of the Emile Parisien quartet, which won an award at the Victoires du Jazz. An energetic drummer with a syncretic, gestural style, he collaborates with improvisers and composers on the frontiers of music: Q with Julien Desprez and Fanny Lasfargues, MILESDAVISQUINTET! with Valentin Ceccaldi and Xavier Camarasa, Le Pantin and Dans L'entre by Guillaume Hermen. His precise, swift and inventive playing lends itself to all kinds of experimentation. He has performed with the Orchestre philharmonique de Radio France (conducted by Pierre-André Valade), Joëlle Léandre, Michel Portal, Louis Sclavis, Marc Ducret, Tony Malaby, Akosh Szelevényi, Andrea Parkins, Benoit Delbecq... Fascinated by questions of temporality, space and rupture in music, he now creates a highly personal language built around the notions of "poly-speed" and "physicality". His research has led him to collaborate with choreographers/dancers, video artists and visual artists (Zimoun, SMITH, Liz Santoro...), and to shift his activity towards the fields of performance and sound installation.
Toma Gouband
drummer
Toma Gouband began playing jazz drums at the age of 5 with several teachers, including Jean-Marc Lajudie and Christian Salut in Toulouse.
Over time, the instrument is transformed by encounters, discoveries and inventions, leading him to develop a play with sounding stones and numbers, but also materials and a set of hundreds of bells (in black clay) made as his work unfolds. He plays with the ensembles Trance Map by Evan Parker and Matt Wright, Fenêtre Ovale by composer Karl Naegelen, Eve Risser, Joris Ruhl and Amaryllis Billet. He leads two projects, Trio O with Benoit Delbecq and Nelson Veras and Par 4 Chemins with Harmen Fraanje, Brice Soniano and Magic Malik. Toma Gouband also experiments with dance - Iwanna Massaki, Kana Nakamura - and sound installations. With Athénor, he shares a number of projects that question modes of listening, play and encounter. These experiences have given rise to the InSitu ensemble, created with Fabrice Arnaud-Crémon, Christophe Havard and Aurélie Maisonneuve, and which collaborates with composer Karl Naegelen.
Friche la Belle de Mai (Petit Plateau)
41 Jobin Street13003
Marseille
RATES
Unique 6€
Modulations loyalty card 30€*
*Gives access to all Modulations in the 2021-22 season
Reservation required.
DURATION
50 min.
Karl Naegelen
composition
Sylvain Darrifourcq
percussion
Toma Gouband
percussion