Made up of a host of artists from classical, jazz, improvised and early music, all of whom are passionate about theater, La Sourde, an unclassifiable orchestra, invites you to "watch" as well as "listen" to this concert based on the Concerto Wq. 43/4 by Carl Philipp Emmanuel Bach, Johann Sebastian's youngest son.
But let's be clear, there may be nothing left of the original work, so much it will have been reduced, inflated, multiplied, accelerated, slowed down... " It's Prussian Blue, it fades " would have said Johann Sebastian Bach about his son's music. It's Prussian Blue, it fades away " would have said Jean-Sebastien Bach about his son's music.
The orchestra composes a music that is neither exactly the one that was written, nor the one for which the musicians were trained, but the one that is born from their meeting in the energy of the stage, in the creation.
Does the word "concerto" come from the Latin "concertare" which means to fight or from "conserere" which means to unite? With humor, La Sourde answers this question by inventing a concerto that asserts its musical moods: the concerto against. Against piano and against orchestra.
As an exhilarating and fun experience, not quite a play, but much more than just a concert.
Production
Compagnie ReVeR
Coproduction
Compagnie La Sourde ; La Soufflerie - Scène conventionnée de Rezé
Support
Adami ; SPEDIDAM ; la Sacem ; Onda - Office national de diffusion artistique ; Centre national de la musique (CNM) ; DRAC et Région Grand Est ; Athénée Théâtre Louis-Jouvet (Paris) ; Théâtre de la Renaissance (Oullins) ; Théâtre de l'Aquarium (Paris)
In partnership with la Friche la Belle de Mai
Samuel Achache
conception, trumpet
Samuel Achache trained at the Conservatoire du Vème arrondissement with Bruno Wacrenier and then at the Conservatoire National Supérieur d'Art Dramatique. During his training, he acted in the productions of Raphaëlle Bouchard and Thomas Quillardet, Samuel Vittoz, David Harrower, Olivier Coulon-Jablonka, Pier Paolo Pasolini and Jeanne Candel.
In the theater, he plays in the productions of Sébastien Davis, Sylvain Creuzevault with the company Ores and already, Antoine Cegarra of the same company, Arpad Shilling, Vincent Macaigne, Arthur Igual. He dances in L'Imprudence, choreography by Isabelle Catalan. In the cinema, he played in 2006 in Ti amo, a short film by Franco Lolli, in Le Hérisson, a feature film by Mona Achache, in Carlos, a feature film by Olivier Assayas, Pourquoi j'ai écrit la Bible and De longs discours dans vos cheveux by Alexandre Steiger in 2016 and 2018.
In 2013, he co-directed with Jeanne Candel The Deceitful Crocodile / Dido and Aeneas, a theatre-opera based on the work of Henry Purcell, which was awarded the Molière prize for a musical performance the following year. In 2015, he directed Fugue , which was presented at the Avignon Festival of the same year.
With Jeanne Candel again, he created in 2017 Orfeo / Je suis mort en Arcadi after Monteverdi'sOrfeo as well as La chute de la maison. In 2018, he directed Chewing gum silence with Antonin Tri Hoang, then Songs with the Ensemble Correspondances directed by Sébastien Daucé. In 2020, he will direct Original d'après une copie perdue at the Théâtre de l'Aquarium.
He regularly collaborates with the Théâtre des Bouffes du Nord. He was an associate artist at the Théâtre Garonne in Toulouse. He was part of the artistic collective of La Comédie de Valence - CDN Drôme Ardèche and directed the Théâtre de l'Aquarium from 2019 to 2021.
Florent Hubert
conception, clarinet, saxophone and actor
Studies in writing, orchestration and musicology completed his training as a jazz musician. Following his meeting with Jeanne Candel and Samuel Achache, he became musical director and actor in Le Crocodile Trompeur. This show, a free adaptation of Purcell's Dido and Aeneas , won the Molière for best musical in 2014.
He then participated in numerous creations within the company La Vie Brève: Le goût du faux et autres chansons in 2015, Fugue created at the Cloître des Célestins in Avignon in 2015, Orfeo/ Je suis mort en Arcadie in 2017 at the Bouffes du Nord, and in 2019 at Montreuil Tarquin , for which he wrote the music. With Judith Chemla and Benjamin Lazare, he was at the conception of the show Traviata /you deserve a better future, show created in September 2016 at Bouffes du Nord. He has just completed with Richard Brunel an adaptation of Pelléas et Mélisande for the Lyon Opera, and to create, as part of the Avignon Festival, the show Sans Tambour by Samuel Achache.
Antonin Tri Hoang
conception, clarinet, saxophone
Antonin Tri Hoang writes music, plays alto saxophone, clarinets and synthesizers. He studied at the Conservatoire de Paris. From 2009 to 2013, he participated in the Orchestre National de Jazz under the direction of Daniel Yvinec, playing the music of Gil Goldstein, John Hollenbeck and Robert Wyatt. In 2011, he publishes his first album Aéroplanes in duo with Benoît Delbecq.
He develops since his compositions with the Quartet Novembre(Calques, 2013; 5 Synchronies, 2014; Ornette / Apparitions, 2016), editing and electronics for the Saturnium project with the artist SMITH (book-disc published by Actes-sud 2017) or the musical show with Chewing Gum Silence (2018), Original from a lost copy (2020). He can also be seen regularly with the trio Fakebooks, the quartet WATT or the duo Grand Bazar with Eve Risser.
Eve Risser
conception, piano
Eve Risser is a pianist, composer and improviser. She studied the classical flute in Colmar, then improvised music in Strasbourg, before devoting herself to the piano. She then joined the Conservatoire National Supérieur de Musique et de Danse de Paris in the jazz class. She was already a leading figure of the new French and European improvised scene when she was revealed by her participation in Daniel Yvinec's National Jazz Orchestra (from 2008 to 2013).
Founding member of the French-German-Swedish collective and label Umlaut, she is involved in different groups ranging from small to large. She travels around Europe for twelve years with the Japanese drummer Yuko Oshima and their duo Donkey Monkey which wins a group and soloist award at the La Défense Competition, the French Jazz Migration and European 12 points Europe Tremplin.
In 2010, she forms the trio En-Corps with Benjamin Duboc and Edward Perraud, whose first album is noticed by the French and international specialized press (label Dark Tree Records 2012).
In 2015, Eve Risser uses mineralogical and geological data to imagine the fascinating paths of the White Deser t Orchestra, a tentet that brings together the finest of the Parisian creative scene and a Norwegian.
In June 2018, she created the Franco-Norwegian quintet EnsembleensEmble (with Mari Kvien-Brunvoll, Kim Myhr, Toma Gouband, George Dumitriù), and in December 2018, her second opus as a large ensemble the Red Desert Orchestra, an ensemble made up of nine European musicians with Kogoba Basigui, which is the meeting with seven Malian musicians living in Bamako (Kaladjula Band) and Eurythmia which brings together the Red Desert Orchestra and three traditional Burkinabe percussionists.
For the past ten years, she has been developing a personal musical language using the piano, whose keys she uses but also whose entrails she prepares with different materials for percussive purposes. She released Des pas sur la neige (timbral meditation on extended grand piano, Clean Feed label, 2015), Après un rêve (rhythmic trance on prepared upright piano, Clean Feed, 2019).
She also responds to composition commissions such as for the BBC Prom's and Jean Rondeau, the Big Band of the Frankfurt Radio, Créations Mondiales France Musique, the ONJ, as well as for the theater (Samuel Achache, Catherine Umbdenstock, Céilne Champinot) or performance installations (Guillaume Marmin)... - everisser.com
"Eve Risser, a piano for orchestra " KOSMICKI Guillaume (2022) - Hemisphere Sound
"Tune in and look up for The Deaf!" GICQUEL Marie (2021) - France Musique
"An experience to be discovered with mind, eyes and ears wide open. CHAINE Judith (2021) - Télérama
"Concerto versus piano? We're for it!" DE CASTELLANE Claire. (2021) - Classic but not Has Been
Friche la Belle de Mai (Grand Plateau)
41 Jobin Street13003
Marseille
RATES
Full : 8€
Reduced : 6€
Evening pass : 10€
(including Tesla at 7pm)
DURATION
1h20
RESTAURATION
Les grandes Tables
The GMEM is committed to the environment and invites you to use sustainable means of transportation.
La Sourde Orchestra
conception
Eve Risser
Samuel Achache
Florent Hubert
Antonin-Tri Hoang
Eve Risser
piano
Samuel Achache
trumpet
Florent Hubert
Antonin-Tri Hoang
clarinets, saxophones
Thibault Perriard
drums, percussion
Olivier Laisney
trumpets
Anne Emmanuelle Davy
flute
Nicolas Chedmail
horn
Matthieu Bloch
Maeva Sytnik
double bass
Marie Salvat Boris Lamerand
violins
EtienneFloutier Pauline Chiama
violas da gamba
Gulrim Choï
Myrtille Hetzel
cellos
Thibaut Roussel
theorbo
César Godefroy Maël Fabre
lighting, general management
Pauline Kieffer
costumes
Benoit Bonnemaison-Fitte
painting