"I am interested in every voice, the tiny and infirm voices - those of the living and the dead, of humans and non-humans. With these voices I elaborate a language of resistance that I call wood language, a hybrid language, articulated and inarticulated, impregnated with sound ecosystems. This activates performances, improvisations, texts, collective vocal practices, sound and radio pieces, scores, films, workshops and research laboratories, technologies of alterities... These experiments confront as much the vocal potentials, as the problematics of normality and aesthetics, that is to say the limits that one assigns to the voice: that of gender, class, register; as well as the predominance of a certain sense. "