Natacha practices the voice as an instrument, an object of thought, of research and as a healing tool. This opens multiple fields of application. While following a vocal and musical apprenticeship in the early 90's in Paris and Bombay, associated with a use of energy arts, Natacha is involved in collectives, artistic groups in order to put into practice her research and deconstruct a part of these teachings. Moreover, the artist likes to nourish collective and experimental vocal practices, in various contexts (social centers, art schools, psychiatric centers...).
In residence since 2013 at the GMEM - national center of musical creation located in Marseille, she develops various creations. Her path, marked out by numerous meetings and collaborations, among which deep affinities with the artists and groups Aude Romary, Michel Doneda, Christophe Cardoën, eRikm, Cécile Duval, Jérôme Noetinger, Angélica Castello, Catherine Jauniaux, Nicolas Gerber, the UN (improvisation society), Terminal Beach & Oracle (artists' collectives), Mutantes, Future Folk Stories.......
In 2012, Natacha created Chœur tac-til, a choir with sighted and non-sighted friends, in which she creates new compositional modes, distanced from the visual field, in collaboration with the ten voices.
She lives in Marseille and has performed in France, India, Italy, Greece, Russia, Belgium, Argentina, Germany, Quebec, Canada, Iceland, Hungary, Spain, Morocco, Austria, Palestine and Switzerland.
His concrete pieces and radio creations are broadcasted on local (radio Galère, radio Grenouille-Euphonia, radio Zinzine), national and international airwaves (radio libertaire, france culture, france musique, arte radio, radio clásica RNE, firelfly frequencies...) as well as different radios and online magazines : p-node, La vie manifeste, Wi watt'heure, Ear you are Bruxelles, Résonance Montréal, Chimères Athènes etc. His films are shown in different festivals (FID, Peuple et Culture, Instant vidéos, Festival des cinémas Différents et expérimentaux...) and on different websites, notably on the website Dérives.
"I am interested in every voice, the tiny and infirm voices - those of the living and the dead, of humans and non-humans. With these voices I elaborate a language of resistance that I call wood language, a hybrid language, articulated and inarticulated, impregnated with sound ecosystems. This activates performances, improvisations, texts, collective vocal practices, sound and radio pieces, scores, films, workshops and research laboratories, technologies of alterities... These experiments confront as much the vocal potentials, as the problematics of normality and aesthetics, that is to say the limits that one assigns to the voice: that of gender, class, register; as well as the predominance of a certain sense. "
