Artist-in-residence program for creation and research.
A hubbub and the clinking of the anchor chain
as it uncoiled and sank
into the water could be heard from the stern.
Small boats with masts but no sails,
motionless on the water,
looked like tidal wrecks.
A thick, humid air, with the sirocco having died down,
visible through some low, thin, ragged clouds,
weighed heavily on the beach.
The unknown sailor, standing on the bow,
blew three times into the conch shell, and the sound,
bouncing off the cliff,
echoed back three times to the sailboat.
A flock of coots and seagulls took flight from the beach,
while crows and ravens descended from the cliff.
Vincenzo Consolo, “The Smile of the Unknown Sailor,” 1976
Mattanza_25, a sound piece for five male musicians, one female musician, a dancer, and recorded sounds, is the third production in the New Folk project, which the Risonanze Company has dedicated to Sicilian culture.
A journey into memory to portray, through music, sounds, voices, and movement, a millennia-old culture doomed to oblivion: “tuna fishing” as it was practiced in Sicily and the Mediterranean.
The “cialoma”—work songs that set the pace for fishermen—have lost their practical function today but have been preserved through the memories of fishermen and a few recordings and documentary films (Alan Lomax, Vittorio De Seta, 1954).
Together with Mattanza_25 of the New Folk Ensemble, they are breathing new life into these works through a contemporary production focused on three key areas: sound design, movement, and space.
Co-production
, Pôle Instrumental Contemporain (PIC) — Télémaque; Cité de la Musique de Marseille; Officina dell’Arte (Palermo); Théâtre de la Mer (Marseille); Conservatoire à Rayonnement Communal de Saint-Raphaël; KLAP Maison pour la danse
Support
, GMEM — National Center for Musical Creation (Marseille)
Nicoló Terrasi
Guitars, composition, sound design and creation
Born in Palermo, his artistic approach involves research focused on the composition of instrumental, acousmatic, and mixed music, as well as the practice of free improvisation (Grand8 Ensemble) and traditional music (New Folk Ensemble, Tammorra). He composes music for live performances with the Risonanze Company and the Anima Théâtre Company, as well as for documentary films and exhibitions.
A graduate in classical guitar from the Palermo Conservatory, he furthered his studies at the École Normale de Musique de Paris, the Conservatory of the 20th arrondissement of Paris, the CNRR in Marseille (Composition, Analysis), and the ENS Louis-Lumière (Radio Documentary / Sound Design). His music has been performed at festivals such as: Les Musiques, Reevox, Festival de Chaillol, CMMR 2013 Music Festival, Transitions Sonores (France), Dias da Musica Electroacustica (Portugal), Acusmatica Contemporanea (Italy), Prix Destellos 2015 (Argentina), RIME 2011 (Monaco), Elfesina Fest (Greece)...
Laura Mollica
Vocals, recitation
The Sicilian artist and singer Laura Mollica is regarded by national and international critics as the spiritual heir to Rosa Balistreri. From a very young age, she encountered leading figures in Sicily’s artistic and cultural scene, such as Ignazio Buttitta, Rosa Balistreri, and Ciccio Busacca. Since 1980, she has been tirelessly promoting Sicilian folk music around the world. Since 2011, Laura Mollica has been listed on UNESCO’s Intangible Cultural Heritage list among the “Expressions of Sicilian Cultural Identity.”
Giuseppe Greco
Guitar, mandola
An eclectic artist, Giuseppe Greco explores various musical genres. Between jazz and contemporary music, he works with the Teatro Massimo in Palermo and the Orchestra Jazz Siciliana under the direction of Bob Wilber and Michael Mantler. He has performed with the Sicilian folk group “Taberna Mylaensis” and composes stage music for the “Teatro Biondo Stabile di Palermo.” He actively collaborates with: the “Teatro del Sole” label, the contemporary music association “Curva Minore,” and the SIO, a Sicilian improvisational orchestra. His collaboration with Laura Mollica, one of the most prominent singers of Sicilian culture, marks the beginning of a project aimed at reviving and reinterpreting the traditional Sicilian repertoire.
Simon Gillet
Dance, recitation
His childhood was marked by moves to Senegal and Brazil. He studied economics and social sciences, then applied foreign languages (LEA) at the university, and attended the Théâtre des Ateliers, the Marseille Conservatory, and the DEUST in Performing Arts.
Works for theater companies (Didascalies and Co, L’entreprise, Les Faiseurs de Pluie, Le Larynx, Trio Léo) and dance companies (Philippe Genty, Véronique Larcher), and participates in numerous workshops (Cie Ex Nihilo, M. Kéléménis, B. Sarreau, A. Senatore...). He honed his craft with Marco Beccherini, Michèle Dhallu, and Christine Fricker. Now based in Marseille, he works as an actor in films and TV movies and is involved in artistic projects in dance, theater, and education.
Bastien Boni
Double Bass
He holds a degree in classical double bass from the École Nationale de Musique d’Avignon and a master’s degree in Music for Visual Media from the SATIS program at Aix-Marseille University. He composes music for theater (Théâtre de cuisine, Théâtre de la Mer, Cie La Criatura...), film, audiovisual media, contemporary dance (Cie Geneviève Sorin MEAARi, Cie Kelemenis, Virgule et pointillés...), and for sound installations in various forms: sculptures and sound objects. He has performed with: Joe McPhee, Daunik Lazro, Makoto Sato, Lucien Bertolina, Jean-Marc Foussat, Hamid Drake, Alex Grillo, the Grand8 ensemble, and Raymond Boni. He has a particular interest in the intersections and encounters between different artistic disciplines.
Laurent Charles
Saxophones
After studying saxophone at the National Conservatory of Music in Metz and Versailles, he turned his attention to contemporary composition and improvisation. His work has evolved around the relationship between sound and other forms of expression (theater, dance, visual arts, sculpture). Along the way, he has collaborated with, among others, Annick Nozati, Fred Van Hove, Raymond Boni, the Dust Breeders, Camel Zekri, John Butcher, Vinko Globokar, Jacques Di Donato, the Stanislas Quartet, Kamel Maad, Fabrice Charles, Jean-Luc Capozzo, Gérard Fabbiani, Marc Pichelin, and Barre Phillips... He currently teaches at the CRC in Saint-Raphaël.
Maria Hellberg
Lighting Design and Stage Management
Originally from Finland, Maria began her career as a lighting technician after studying at the ISTS-CFA Métiers du Spectacle in Marseille. She has worked in events as well as in theater, dance, and music, which remains her favorite field. She works for various festivals in the South of France, where she lives: Festival le Bon Air, Marsatac in Marseille, as well as the Les Nuits du Château de la Moutte festival in Saint-Tropez (classical music, opera, and jazz). She freely expresses herself through the art of lighting design in the productions of the Risonanze Company.
Marie Lelardoux
An Outside Perspective and Listening
As a director, Marie Lelardoux’s theatrical and radio productions are guided by a reflection on the nature of existence and by the search for a gentle, illuminating silence. Following valuable years of study in theater and literature, filled with insights and encounters, she earned a master’s degree titled “On the Set of a Work in Progress” (supervised by Matthias Langhoff). From these experiences, lived in accordance with linguist De Saussure’s statement that “the point of view creates the object,” a desire to “compose” performances emerged, through a process of writing and rhythmic, sensitive assembly. She founded the Cie Émile Saar in Marseille in 2003.
Geneviève Sorin
Choreographic Consultant
After training in classical dance with Igor Fosca, Geneviève Sorin danced in the 1970s and 1980s with some of the leading companies (Félix Blaska, Ballet Théâtre Contemporain, Joseph Russillo, Susan Buirge...). She then left Paris to settle in Marseille. There she crossed paths with Dominique Bagouet and established herself as a dancer, choreographer, musician (accordion), and teacher. Geneviève Sorin thus has two fields of expression: music and dance. Dancing and choreographing, performing and composing—her work lies at the intersection of these two arts and seeks to expand this shared territory. To date, Geneviève Sorin has created more than twenty choreographic and musical works, a radio play, albums (Le Goût du Jour with the Raymond Boni Octet, After the Rap with Boni’s Family, Harmonia Mundi, Infini with Grand8, Mazeto Square), and several commissioned choreographic and musical pieces.
Nicolo Terrasi
: concept, composition, guitars, sound design
Laura Mollica
: vocals, recitation, drum
Giuseppe Greco
, guitar, mandola
Simon Gillet
: dance, recitation
Laurent Charles
, saxophones
Bastien Boni
double bass
Maria Hellberg
: lighting design, stage management
Geneviève Sorin
Marie Lelardoux
an outside perspective