The planetary catastrophe has already taken place... what is left to preserve for the future?
The story written by Lancelot Hamelin takes place in a parallel future, where a super-urban world is succumbing. A man tells us, in his overexposed voice, about a system on the verge of extinction. This character tries to make us hear the fragments of the living and non-living world before a definitive silence comes.
Alvise Sinivia brings together a multidisciplinary team to reflect on memory and trace. Like researchers, the playwright and director Maya Boquet, the sound designer Jocelyn Robert, the video artist Simon Rouby and the author Lancelot Hamelin have been collecting and classifying sound and visual images of different places and time-spaces for many years. Composer Paul Ramage sculpts these sound documents on an instrumentarium made of recording machines. What do these sounds tell us about a world on the verge of extinction?
By making future archaeology the object of a science-fiction fable, anchored in the codes and commonplaces of the genre, Le Hurle is a sound show haunted by the laws of chaos.
Partnership
Friche la Belle de Mai
Production
Compagnie Alvise Sinivia
Coproductions
CNC - DICRéAM, La Pop, La Soufflerie, La Muse en circuit - CNCM (Alfortville), Nouveau théâtre de Montreuil - CDN
Reception in residence
Ircam-Centre Pompidou, GMEM, Villa Médicis, La Soufflerie, La Pop, La Manufacture des Oeillets (Ivry), La Muse en circuit-CNCM, Le Théâtre de L'Aquarium, Théâtre de Vanves
Partners
Ministère de la Culture - DRAC Île-de-France, Région île de France
Alvise Sinivia
Composer, artistic director
As a pianist, improviser and performer, he has had many encounters with artists from all walks of life (dancers, choreographers, circus artists, video artists, painters and visual artists). A curious musician who is constantly on the lookout, he is constantly renewing his relationship with the instrument, whose paradoxes and sonic and physical limits he has been experimenting with for several years.
Paul Ramage
Composer
Paul Ramage is a violinist, improviser and composer. He began his musical training at the age of ten with the violin. After meeting Didier Lockwood (whose school he joined in 2003), he became interested in jazz and improvised music.
Maya Boquet
Playwright, director
Maya Boquet works as a sound designer, performer and author. She explores the continuum between fiction and documentary, collecting stories, testimonies, life stories, and soundscapes, which she approaches differently depending on the medium she adopts: radio, theater, or writing.
Jocelyn Robert
Capture of sound archives
Jocelyn Robert graduated from Femis in 2007. He is a sound engineer and chief sound editor for cinema and has participated in the soundtrack of many feature films, fictions and documentaries for nearly 15 years.
Simon Rouby
Videographer
Coming from the animation cinema, Simon Rouby has been exploring for several years unexplored visual territories opened by new technologies. Pioneer of the use of 3D scanning in cinema to integrate sculptures in his first feature film Adama, it is through contact with geologists at the Geosciences Institute (GFZ) in Potsdam that he adapts his 3D scanning techniques to the scale of the landscape. Himalayas, Sub-Antarctic Archipelago of Kerguelen, Reunion Island, Nigeria, Japan...
Lancelot Hamelin
Writer
Lancelot Hamelin was 18 years old when the FIS was elected in Algeria, and 23 years old when the 1995 bombings hit Paris. He decided to work on the wounds of the Algerian war, which in his eyes determine French social life. Fascinated by the relationship between fiction and reality, he first wrote for the theater, an archaic literature that offers the greatest freedom.
Frédéric Stochl
Vocalist
Frédéric Stochl has received a triple training in music, choreography and theater. Solo double bassist since 1980 with the Ensemble Intercontemporain (conducted by Pierre Boulez), he has participated in numerous creations, as well as with other institutions (Radio-France, GRM, ATEM, etc).
Friche la Belle de Mai (the Module)
41 Jobin Street13003
Marseille
DURATION
1h
Alvise Sinivia
artistic direction, composition
Paul Ramage
composition
Maya Boquet
dramaturgy, direction
Lancelot Hamelin
text, narrative
Franck Jamin
scenography
Jocelyn Robert
sound archive capture
Simon Rouby
video
Julien Soulatre
light
Frédéric Stochl
voices
Armando Balice
acousmonium