A versatile musician, she has a taste for writing on the borders of music, dance and theater. She seeks to establish links and bridges between these languages in order to approach different aspects of the sensitive.
She conceived Pianomachine, a device that intervenes in the heart of the piano, its structure, transforms its timbre, its lutherie. By shaping the sound capacities of the instrument, she opens up a new playing space that allows her to work in its margins, in its entrails and it is her own sound grammar that she can revisit and regenerate.
Claudine Simon is developing a sound creation work that focuses on experimenting with the instrument and the capabilities of the piano. She conceives performances that allow her to question her relationship to the instrument by deconstructing the representations associated with it.
