Electro-Aimant was born from an unlikely meeting between a musician committed to the renewal of traditional music and a composer who develops his practice through improvisation, with computerized lutherie. The oral tradition, the practice of improvisation, the electroacoustic music and the transformation in real time meet to invent in the time of the concert, a language which is built between tradition and novelty, history and immediacy.
Christian Sebille and Miquèu Montanaro push the limits of the galoubets-tambourins, by a ceaseless game between the raw material of sound and its transformation. Deconstruction and reconstruction are articulated to write a dynamic narrative, always surprising.
The galoubet-tambourine, considered traditional and popular, is a very technical instrument between a flute with very precise melodies and a tambourine that performs two functions: rhythmic and drone. Christian Sebille's computers explore this profusion of sounds to expose an unprecedented and unheard-of dialogue between these two radically different musical techniques.

The two musicians have escaped from their habits to dare a new joust. By diverting their practices and with their own lutherie, they play with their cultural contribution to extract extravagant sound volutes and invent a new form of dialogue.