Anna Buy
Writer and sound director
Originally a musician and literary artist, she graduated from EHESS (Arts and Languages) and CREADOC (documentary writing). She learned the craft of sound direction at Radio Campus Paris and later at Nova, where she created radio idents, podcasts, and audiobooks. She now produces audio documentaries for France Inter, Arte Radio, Louie Media, and other studios on a more ad hoc basis. Her credits include *Inside and Outside Kabul * (France Inter) and Louie Media’s *Injustices* series, which features *Ou peut-être une nuit * and *Ma Tonkinoise*. She also produces audio works for young audiences for France Inter (“Oli,” “Bestioles”) and Arte Radio (“Le Jour Où”). Alongside her professional work, Anna pursues more personal audio projects, such as “Polaroïd Islande” (France Culture), “Détective 80” (Arte Radio), and the fictional series “D.D.D.,” in collaboration with Magma Collectif.

François Ceccaldi (Ceccal)
Musician, composer, and sound designer
He began by exploring world music with the Bismut company, then moved on to post-rock with the duo Ceccal & Zolla, as well as electro-punk, radio drama, and empirical flamenco.
Since 1997, he has been creating original music for dance, theater, and the performing arts, and designing immersive sound walks (Territoires en mouvement, Flashback, La Baignoire en balade) and web radio stations (Radio J.E.T. – La Chartreuse). He collaborates with numerous choreographers, such as Juan Carlos Lerida, on the shows *Doce*, *Cher*, and *Postablao*.
As co-artistic director of Magma Collectif, he develops a unique sonic identity through *Cabine d’effeuillage* (a poetic video-sound installation), *Joy Joy Joy Joy* (live electro poetry), *Mon Rouge aux Joues*, and *Neuf petites filles* (push & pull) (live musical and radio-theatrical creations).
As a graphic and video mapping designer, he explores numerous intersections between sound, image, and space.
He is a performer within the Hors Lits network and creates the visuals for the Montpellier edition, which he organized between 2005 and 2023.

Aurélie Turlet
Actress, director, and radio voice-over artist
As a stage artist, she grounds her practice at the intersection of the performing arts and the visual arts. She studied at the École des Arts Décoratifs in Strasbourg and trained in theater and dance. She has appeared in some thirty shows and performances and works as a voice-over artist for radio and dubbing for outlets such as Arte, Netflix, France TV, and Radio France. In film and television, she has worked with directors such as Roschdy Zem, Chloé Léonil, Christophe Douchand, Balkan Tekelioglu, and Fred Duvin.
She blends disciplines in her projects while remaining deeply connected to contemporary writing. She is an actress and reader with the Groupe des Acteurs Lecteurs at La Chartreuse-CNES. In 2020, she founded and co-directed Magma Collectif. There, she created *Mon Rouge aux joues* and *Neuf Petites (push & pull) * by Sandrine Roche, as well as electro-poetry sets and sound walks, and develops radio projects. Trained in radio production by Bertrand Chaumeton, Marc-Antoine Granier, and Sophie Berger, she produces documentaries such as *Play⌈G⌉round*, a study of gender dynamics on the playground, which received a grant from the Ministry of Culture’s program supporting radio creators.

Magma Collectif
A performing arts collective founded by Aurélie Turlet (actress) and François Ceccaldi (musician), Magma Collectif blends theatrical and sound-based forms of expression. Playing on the friction between artistic fields, the company creates works that straddle genres. Theater, music, and radio intertwine in a sensorial narrative that engages the listener.
It creates immersive experiences that offer an enhanced performance experience. The audience plays an active role, and the performance resonates with each individual’s personal story.
Radio plays, audio walks, radio naps, electronic poetry, pop-up web radio stations, and audio documentaries: Magma Collectif’s projects move from theaters to public spaces and unusual venues.
It brings contemporary writing to a wide audience—particularly the younger generation—by embracing new distribution channels. Radio is its preferred medium for weaving narratives and reaching out to people.