Premiere of creation planned during the festival Propagations 2023.
This project is a continuation of the first mixed piece Umwelt by Bertrand Wolff.
Auscúltare, is a mixed musical piece. The soundtrack is diffused by four ultra directional speakers fixed on four motorized feet that allow them to move vertically and horizontally.
The process consists in superimposing the voice with synthetic sounds, in such a way that the human voice completes, imitates and extends the recordings in an intention to blur the boundaries between nature and culture. It is about creating a mimetic relationship between the human voice and the sound synthesis in an acoustic environment.
Delegated production
GMEM
Commande d'État
for the writing of original musical works 2022 by GMEM
Coproduction
Mujō and D.D.A Contemporary Art
Support
Sacem ; DICRéAM 2021 ; DRAC ; Région SUD ; Maison de la Musique Contemporaine
Creation residencies
VOCE - CNCM (Pigna, Corsica) and GMEM
In partnership with the Friche la Belle de Mai

Born in Annecy in 1982. After studying music, notably clarinet and drums, he discovered the music of Pierre Schaeffer. A field of possibilities opens up as much with electronic tools as with traditional instruments.
Raphaële Kennedy
soprano
Raphaële Kennedy is a soloist and polyphonist who devotes her artistic life to the interpretation of early music and the creation of contemporary works, with the same demand to draw out the palpitation of meaning and the same desire to give a taste of it in order to transmit the emotion.
First recognized with Jordi Savall, François Lazarevitch and the Musiciens de Saint-Julien, Jean-Marc Aymes and Concerto soave, Guido Balestracci and l'Amoroso, Jean Tubéry and La Fenice, within A Sei Voci, the European ensemble William Byrd, the Paladins, the Poème Harmonique, the Demoiselles de Saint-Cyr?
She is now also a reference in contemporary creation, dedicatee of many works and working closely with composers Kaija Saariaho, Jean-Baptiste Barrière, Robert Pascal, Pierre-Adrien Charpy, Philippe Leroux, Mauro Lanza, Gianvincenzo Cresta, Matteo Franceschini, Ben Foskett, Laurent Cuniot as well as with electroacousticians Loïse Bulot and Bertrand Wolff.
A specialist in recitals for solo voice and electronics, she is also a regular guest artist with the ensembles TM+ (conducted by Laurent Cuniot), Multilatérale and Les Métaboles (conducted by Léo Warynski), Ars Nova (conducted by Benoît Sitzia) and Regards. She was a permanent member of the Solistes XXI (conducted by Rachid Safir).
She is the artistic director of Da Pacem, a company invested in early music, contemporary creation and dialogue of cultures, founded with the composer Pierre-Adrien Charpy, whose members and partners have become over time her companions. It is within this framework - from duos to small ensembles and multidisciplinary or multimedia performances - that she freely bases her work on sensuality, theatricality and rhetoric. She thus favors the incarnated transparency of the voice, the accuracy of style, the brilliance that emerges from the angle of the word and the declamatory gesture that makes music the amplification of the word.
She has made some forty recordings, including those of Da Pacem unanimously acclaimed by the critics.
In 2016, she founded with the composer Pierre-Adrien Charpy and the video photographer Isabelle Françaix the musical and visual collection Avec of the Cypres label.
Isabelle Deproit
pianist, soloist
Trained as a pianist, she completed her musical studies at the Lyon Conservatoire, where she first won a medal in this discipline, then a first prize in accompaniment. She also obtained a degree in musicology from the University of Lyon II, and trained as a choral conductor at the ENM in Villeurbanne.At the same time, she studied singing with Cécile de Boever, Mireille Deguy and Elène Golgevit, and since 2004 has been a member of various ensembles, including the Chœur Britten (Nicole Corti), the Solistes de Lyon (Bernard Tétu) and the Six Voix Solistes de Résonance Contemporaine (Alain Goudard), Calliope, Voix de femmes (Régine Théodoresco), Solistes XXI (Rachid Safir), the Mora Vocis ensemble and the quatuor 4 anima, with whom she records several discs and performs regularly in France and abroad (Italy, Canada, Hong Kong...).).
She is also a soloist in various operas and oratorios (Miss Bagott in Britten's Lepetit ramoneur , La Colère in Rameau's Les éléments réunis, Orphée in Guilhem Lacroux's La nuit des temps modernes...) as well as a singer/actress and improviser in musical theater pieces (Compagnie Abribus, Collectif Arts Mobiles, Compagnie Amadeus rocket...).
Her interest in contemporary music, and particularly in creation, has led her to collaborate with composers such as Kaija Saariaho, Lucien Guérinel, Sophie Lacaze... Exploring the link between the body in movement and the voice, she took part in the show Apnée with choreographer Yuval Pick (CCN de Rillieux-la-Pape) and runs workshops on this theme.
Guillaume Stagnaro
visual artist, teacher, researcher
Guillaume Stagnaro leads a theoretical, practical and speculative exploration in the field of algorithmic writing through the realization of digital devices and installations and participation in numerous collective and inter-disciplinary projects.
He has also been collaborating for several years with many other artists for whom he designs and produces computer and robotic devices.
He teaches at the Ecole Supérieur d'Art d'Aix-en-Provence (ESAAix.) where he directs the Hypermedia Workshop, in addition to intervening in several other schools in France and abroad to conduct workshops and training.
GMEM (Friche la Belle de Mai)
41 Jobin Street13003
Marseille
Bertrand Wolff
composer
Raphaële Kennedy
soprano
Isabelle Deproit
contralto
Guillaume Stagnaro
robotics design
Alexandre Martre
light creation