Composer and sound artist Alessandro Bosetti presents an autobiographical work. It is the logbook of his mother who, in 1978, began a long voyage aboard a sailing boat from Gibraltar to the Canary Islands.
This voyage, which was to last for years, was also the beginning of his separation from his family and his young children (the composer was 3 years old). It's a handwritten narrative divided into twenty chapters - one for each day of sailing - in which we read about dolphins, flying fish, sudden storms and the watches imposed for the turns at the helm. The composer retraces the itinerary of the journal and the voyage in his own voice, working on the boundary between spoken language and song, but also choosing the form of a lyrical monodrama inspired by oriental theater and radio fiction.
On stage, Alessandro Bosetti, four musicians and a typographer interweave three guiding lines: the journey itinerary, the logbook and the voice that reconstructs it. This version is the first stage of a work that will be completed in 2018.
"It's not just scents and flavors that convey our emotional memories. Often, without realizing it, we entrust sensations linked to deep memories to the specificity of a sound."
A meeting with the composer will take place before the show.
Show in Italian with French subtitles
Partnership
Théâtre Joliette Minoterie
Production and music commission
GMEM

Alessandro Bosetti's work is based on the musicality of voice, language and languages. He explores the border between spoken language and music.
Carol Robinson
composer, clarinetist
Carol Robinson is a Franco-American composer and clarinetist, whose career embraces an eclecticism without limits dedicated to her passions. Equally at ease with the classical repertoire as with contemporary or even experimental creation, she performs in the most prestigious international venues and festivals and regularly collaborates with photographers, visual artists, video artists, and especially choreographers.
Recently, she wrote a pocket opera " Mr Barbe bleue " (Commande d'Etat), intended for a baroque ensemble for the Opéra de Reims and co-wrote " Occam Hexa II " with Eliane Radigue, for the Decibel ensemble in Perth, Australia.
His recent discography reflects the breadth of his work: it includes compositions such as "Billows" for clarinets and live electronics ("Plush"), "Laima" ("Flight Experiments") and "Cross-Currents" ("Shiin"). But there are also monographs of great contemporary composers, for example Giacinto Scelsi, Luigi Nono, Morton Feldman, Luciano Berio ("Mode"), Eliane Radigue ("Shiin"), Phill Niblock ("Touch"), as well as alternative rock, jazz, or classical music ("Ayler", "Nato", "BTL" and "Syrius").
Alexandre Babel
composer, drummer, percussionist
Born in Geneva, based in Berlin, the drummer, percussionist and composer Alexandre Babel is active in the classical-contemporary world and in the improvised/alternative scene. He is a member of the KNM - Kammerensemble Neue Musik Berlin and is a regular guest of the ensembles MusikFabrik, Schlagquartett Köln, Ensemble Modern. He works closely with the composers Dmitri Kourlianski, Enno Poppe, Andrew Noble or Michael Wertmueller. He performs in solo and group concerts on all five continents, in venues and festivals such as Carnegie Hall, Teatro Colón in Buenos Aires, Wien Modern, CWCA festival Beijing, the Venice Biennale, Ultraschall Festival Berlin or Suntory Hall in Tokyo. In 2002, he created Buttercup-MetalPolish with drummer Nicolas Field, a duo that has collaborated with Keiji Haino, Jacques Demierre, Otomo Yoshihide, and Anthony Pateras, among others. He also collaborates with Hans Koch, Theo Nabicht, Gaudenz Badrutt, Pierre Jodlowski and Massimo Pupillo. Babel graduated in 2005 as a percussion soloist with distinction from the HEM in Geneva, and perfected his drumming skills in New York with Ben Perowsky, Jeff Hirshfield and Ari Hoenig. He gives masterclasses at the UdK Berlin, Melbourne University, WAAPA - Western Australian Academy for Performing Arts. In 2008, he is professor of percussion at the HEM of Geneva. Since 2006, in association with the group Eklekto - Geneva Percussion Center, he is the designer and artistic programmer of the festival Batteries!
Joliette Theater
2, place Henri Verneuil13002
Marseille
DURATION
50 min.
RATES
Full €10
Reduced €8
Pass €5
Alessandro Bosetti
autobiographical staging and electronics
Carol Robinson
clarinets
Alexandre Babel
percussion
Charles Bascou
musical assistance