creation

In situ device for acoustic activation of an architecture
Low frequency loudspeakers, stereolythographed percussors, amplifiers, cables, computer, sound card

Each space in which the device is installed enters into a dialogue with its sound potential, it becomes a gigantic percussion instrument resonating on the scale of a building.
T.O.C is an installation that questions current sound production techniques by attempting to bypass their usual modalities.

In 1876, when Alexander Graham Bell announced the possibility of reproducing sound by electric waves, this enigmatic relationship between sound and matter was at a decisive turning point that marked the passage to modernity. What remains to be explored after this great musical revolution of the 20th century?
One proposal could be that of John Cage and his prepared piano: to do the same with loudspeakers. Here, the preparation is no longer done to enrich the timbre but rather in a dystopian logic: Thus the loudspeakers are disemboweled so as not to reproduce the entire audio spectrum, a stereolythographic percussionist is added so that the movements usually allowing to generate low frequencies will hit the materials and thus transform them into percussion. It is a return to a low-tech archaism in its conception and almost ancestral in what we can hear, between paleo-techno and avant-garde electroacoustic music.

This device by its conception with materials of recovery often gleaned or found, tries to free itself from a form of technological commercial tyranny of high tech consumption.

Mentions
Biography(s)
In the press
T.O.C
Lucien Gaudion
Installation
Performance
Distribution

Lucien Gaudion
composer

Pierre Fleurence
musical assistant and developer

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