The duo formed by Élise Dabrowski and Sébastien Béranger celebrated its 10th anniversary in 2025. To mark the occasion, the two artists developed a new project centered on madness, fragmentation, and exuberant, jubilant auditory schizophrenia.

Language is fragmented, laid bare, revealed, separated and offered up, scattered in the air and (electro)acoustic space. Through meticulous decomposition, it finds its purpose and renewal.
This "trio for two" – voice, electronics, and (meta)cello – is a celebration of the present moment. Its nature, like that of music in general, is fundamentally ephemeral; its reality lies in its performance, its immediacy, its relationship with the listener and the concert. It is an experience based on exchange, intersection, experimentation, surprise, and shared pleasure, where each becomes the interpreter of the other.

The combination of voice and electronics, from the most insolent noise to the most sublime song, always means something; it always refers to something other than itself and creates a wide range of associations: cultural, musical, everyday, emotional, psychological, etc. The duality between acoustic instrumental sound and computer acousmatics works in the same way; it opens up the sound spectrum to unheard-of worlds.