Creation and recording residency
Programmed at the Marseille Festival
The Descent of Inanna is a chamber pop-opera directed by composer/director Lafawndah, in collaboration with Brian Rogers. It features a ten-member chorus, a small musical ensemble and a spatialized electroacoustic sound environment.
The Descent of Inanna is also conceived as a project of restoration and inclusive writing, capable of reconnecting with the history of opera as a popular form pre-dating the 19th century, and extending the operatic canon to non-Western stories and musical forms. This creation gave rise to the writing of the first libretto on this founding myth of all myths known today in the West, for Inanna is none other than the forgotten mother of all women, and the ancestor of Venus, Persephone or Athena. Her story is profoundly ecological and feminist, yet offers inspiring answers to the crises facing our societies today.
Production
Honey Colony Association
Coproduction (in development)
Ministère de la Culture dans le cadre du programme " Mondes Nouveaux ", 180 Strand (London), Barbican (London), La Villette (Paris), Fondation Cartier (Paris), Festival d'Aix, Festival de Marseille, Festival d'Automne (Paris), Thyssen-Bornemisza Foundation TB21 (Cordoba) ; Providenza (Corsica), Arsenic (Lausanne) ...
Lafawndah
musician and multidisciplinary artist
With an Iranian mother and Egyptian father, Lafawndah is a French-born, Paris-based musician and multidisciplinary artist. Since her beginnings, she has pursued an in-depth research into devotional pop, with a career path as unpredictable as her compositional style. Having lived and worked in New York, Teheran, New Delhi, Mexico and London, Lafawndah now lives and works in Paris. She continues to cultivate an aesthetic of displacement for herself and for her work, which is deeply mutant and collaborative, and which she imagines as a new musical continent on the margins of East and West. Her musical performances have been presented at the Théâtre du Châtelet, the Venice Biennale for the French Pavilion, the Barbican, the Southbank Center in London, the Fondation Cartier in Paris and Haus Der Kunst in Berlin, among others.
After a debut EP released on the renowned English label Warp in 2016, and a debut album on the German label k7! in 2019, Lafawndah will release her second album The Fifth Season in 2020 on the Parisian label Latency, in which she explores the collective dimension of ritual and the healing powers of repetitive music. Influenced as much by Egyptian zar, traditional Indian music and gnaoua as by the totems of American minimalist music such as Steve Reich and Monte Young, Lafawndah opens a new chapter in her artistic work with this album, collaborating with artists from diverse horizons, such as tuba player Theon Cross, French rapper Lala &ce, visual artists Marguerite Humeau and Laure Prouvost, Japanese ambient master Midori Takada and many others.
Lafawndah
artistic, musical and stage direction
Brian Rogers
co-artistic director
Emily King, Yasmine Dubois-Ziai, Brian Rogers,
with Sophia Ould Kaci and Mehdi Meklat
booklet
Crystallmess, Lafawndah, Mohammad Reza Mortazavi, Joseph Schiano di Lombo, Coby Sey, Trustfall
musical composition
Nicolas Becker
sound composition
Betty Tchomanga
choreography
Sofiane Benrezzak, Aroun Bodet Naudimat, Clémence Boisse, Assia Ghendir, Jisca Kalvanda, Dalila Khatir, Alexandre Nour, Emile Samory, Eliane Umuhire
choir
Cast (in progress)
ensemble: basset, clarinet, ondes martenot, percussion and daf
Colin Self
collaboration on writing backing vocals
Dalila Khatir
voice coach
Lynda Rahal
dramaturgy
Vanessa Court
sound creation
Caty Olive
lighting design
Nasir Mazhar
costume design
Sara Mathiasson
headdress design
Maria Lisogorskaya (Assemble)
creation of objects & accessories :
Daniel Sallstrom
make-up
Audrey Pouhe Njall
administration & production
Céline Peychet
development & distribution