Creation and recording residency

Programmed at the Marseille Festival

The Descent of Inanna is a chamber pop-opera directed by composer/director Lafawndah, in collaboration with Brian Rogers. It features a ten-member chorus, a small musical ensemble and a spatialized electroacoustic sound environment.

This opera is a free interpretation of the Sumerian myth that tells the story of the journey of Inanna, goddess of fertility, to the land of souls to find her sister Ereshkhigal, goddess of the abysses, after a quarrel that drove them apart. Inanna must heal their relationship in order to fulfill her destiny as initiator of a new world. The outcome of this family drama will give birth to the cycle of the seasons and a more equitable redistribution of power in the world. 

The Descent of Inanna is also conceived as a project of restoration and inclusive writing, capable of reconnecting with the history of opera as a popular form pre-dating the 19th century, and extending the operatic canon to non-Western stories and musical forms. This creation gave rise to the writing of the first libretto on this founding myth of all myths known today in the West, for Inanna is none other than the forgotten mother of all women, and the ancestor of Venus, Persephone or Athena. Her story is profoundly ecological and feminist, yet offers inspiring answers to the crises facing our societies today.

Mentions
Biography(s)
Inanna's descent
Lafawndah
Mon. 6 -- Fri. November 17, 2023
Mon. 3 -- Mon. June 10, 2024
Distribution

Lafawndah
artistic, musical and stage direction 


Brian Rogers
co-artistic director 

Emily King, Yasmine Dubois-Ziai, Brian Rogers,
with Sophia Ould Kaci and Mehdi Meklat
booklet

Crystallmess, Lafawndah, Mohammad Reza Mortazavi, Joseph Schiano di Lombo, Coby Sey, Trustfall
musical composition

Nicolas Becker
sound composition 

Betty Tchomanga
choreography

Sofiane Benrezzak, Aroun Bodet Naudimat, Clémence Boisse, Assia Ghendir, Jisca Kalvanda, Dalila Khatir, Alexandre Nour, Emile Samory, Eliane Umuhire
choir

Cast (in progress)
ensemble: basset, clarinet, ondes martenot, percussion and daf 

Colin Self
collaboration on writing backing vocals

Dalila Khatir
voice coach 

Lynda Rahal
dramaturgy

Vanessa Court
sound creation

Caty Olive
lighting design

Nasir Mazhar
costume design

Sara Mathiasson
headdress design  

Maria Lisogorskaya (Assemble)
creation of objects & accessories :

Daniel Sallstrom
make-up  

Audrey Pouhe Njall
administration & production

Céline Peychet
development & distribution

Useful links