Residency to install the four pendulums and the control room, program a temporal score for the movement of the four pendulums and develop the quadraphonic sound device for the composition.

Plunged into semi-darkness and almost motionless, four four-meter pendulums swing ever so slightly at human height. Gradually tuning in to their resonant frequency, they create a synchronized mechanical ballet of great amplitude. Attached to dials, the pendulums move off-center, gradually creating ellipses or rotations before becoming desynchronized, revealing an infinite number of cardinal directions for their swinging.
The installation then takes time to reach a climax, before decreasing by the sheer force of inertia, to return to a calm, serene state at the end of each cycle.

These cycles follow one another like periods in a fluid score, offering visitors a dance of bodies in gravity. The role of light is to create a moving space in which visitors can move freely, deciding what to reveal and what to conceal. 

A microphone placed in the center of the room picks up the ambience of the space and generates feedback that is spatialized by the moving loudspeakers installed in each pendulum. Their sounds are then reflected on the walls, floor and ceiling, transforming the room into an immersive chamber for the visitor. The raw feedback signal is processed to render this harmonic drone-like feedback loop musically exploitable as a flux, and interactions with the pendulum oscillations and light produce a set of data designed to create, over time, the generative conditions for a hypnotic visual and aural landscape, composed in the moment.