Gwennaëlle Roulleau
electroacoustic musician

Gwennaëlle Roulleau composes, improvises, and sets up installations. It is with the sensitivity of the listening walker that she quickly records to share these precious traces of life. From recording to broadcasting, she sculpts the sound matter, to give rise to fixed or real-time compositions, thought out as sound dramaturgies. Attached to the acoustic and organic nature of sounds, she also claims the electronic dimension of her instrument. Her approach is marked by her training in electroacoustic composition with Christine Groult (ENM Pantin).
She also plays with other improvising musicians (Tristan Macé, Ramuntcho Matta, Pablo Cueco, Jean-Marc Montera, Fred Marty, Thierry Waziniak, Gaël Mevel, Daniel Lifermann, Basile Chassaing), and composes for video (Abbaye de Boscodon - Erik Lorré, U-Farm - Damien Chivialle, Fais voir le son -2DHD, La roulotte - Tangible).
Her approach of listening to the world and exploring reality leads her to projects in situ. And she evolves in collaborations with dance and theater companies (Edwine Fournier - Tangible, Sébastien Molliex - Les OsPosés, Olivia Grandville - La spirale de Caroline, Dominique Dolmieu - Théâtre de Syldavie).
The grip with reality and its poetic resonance cross her work. Fascinated by the manifestation of the living, in the physical dimensions of the world, she seeks through installations to interpret in a sonorous way a phenomenon at first imperceptible by our senses(La fourmi sur l'élastique, Taxi Brousse - Fées d'hiver), or which will give to the context a poetic interpretation(Open sources II - Tangible, Sillons - Laure Bollinger, L'espwar est un temps boisé - Friche Théâtre Urbain) She is currently working with electromagnetic waves.
In the crossroads between these languages, she is looking for a gap that allows possibilities to unfold, in this friction, poetry.
She is a member of the Tangible, Fées d'hiver and Emoi Sonneur collectives.