Alvise Sinivia
Pianist, improviser and performer

Curious and constantly on the lookout, Alvise Sinivia is constantly renewing his relationship with the instrument, whose paradoxes and sonic and physical limits he has been experimenting with for several years. He trained with Alain Planès and Emmanuel Strosser at the CNSMD in Paris, where he made numerous encounters that nourish his music. He regularly collaborates with composers and has been a member of ONCEIM since its creation. In 2019, Alvise will be premiering Giorgia Spiropoulos' solo "Eror (the pianist)" in Athens, produced by the Onassis Foundation and Ircam, which combines improvisation, performance and interpretation. He regularly works for the theater as a composer, actor and stage musician, as in Clara Chabalier's play "La Défense devant les Survivants", premiered in June 2022 at the Comédie de Reims.
In 2023, he is on stage in Ludovic Lagarde's new creation "Médecine Générale" by Olivier Cadiot.
A resident at Villa Médicis during the 2016 / 17 season in the performance discipline, he deepens his research into the relationship between movement and sound. He then set up his own company, with which he created the solo "Ersilia", for a performer and five piano frames. In the 2020 / 21 season, Alvise creates "Le Hurle", a multidisciplinary science-fiction piece questioning the notion of sound archives. Finally, in May 2022, he develops "Micrographia", a four-hand piano piece with Frédéric Blondy inspired by an experimental cartography book, "Terra Forma" by Frédérique Aït-Touati, Alexandra Arènes and Axelle Grégoire.
The company is currently developing a series of solos for different performers on the theme of secrecy, with a sound device based on the hijacking of a tape player.

Mellina Boubetra
Performer, choreographer 

Mellina began dancing at an MJC in her native Colombes. She discovered hip-hop at a very early age and met her teacher Mohamed El Hajoui, who decided to form a duo, Second souffle, of jazz rock and locking. In 2006, they began their career in choreographic shows. After several years studying biology, she decided in late 2015 to devote herself to dance. She entered through the door of all-style battles and gradually moved towards creation. She joined the companies Des pieds au mur, Andrew Skeels, Dyptik and Cornucopiae.
At the same time, she set up the company ETRA, which has three active pieces, "INTRO", "RĒHGMA" and "NYST".

Clara Chabalier
Playwright, author 

Clara Chabalier trained at the CNSAD with a research project on new technologies entitled: "Cassandre-Matériaux" presented at the Théâtre de la Commune - CDN d'Aubervilliers in February 2016.
She has worked as an actress in theater and film with Jean-François Peyret ("Re:Walden", Festival d'Avignon, Théâtre National de la Colline), Roméo Castellucci ("Four Season Restaurant", Théâtre de la ville), Laurent Chétouane ("Considering / Accumulations", Théâtre de la Commune - CDN Aubervi l l iers), César Vayssié ("Un Film Evènement"), Dieudonné Niangouna (Nkenguegi)...
Compagnie Pétrole produces the staging for her own shows, in which she also occasionally performs: Calderón by Pier Paolo Pasolini, "Autoportrait", after Edouard Levé, "Effleurement" by Asja Srnec Todorovic, "Voyage d'Hiver", after Elfriede Jelinek and Franz Schubert, "Stream of Stories (on nous l'a dit et l'on l'a cru)", on the oriental origins of the Fables de la Fontaine, and "La Défense devant les Survivants", freely inspired by Morel's L'invention.
She is a regular speaker at acting schools such as EDT91, ERAC, ENSAD in Montpellier and La Manufacture in Lausanne. She collaborates with artists from a variety of disciplines, including composer Sébastien Gaxie, visual artist Katia Kaméli, dancer Sébastien Ly and fil-de-fériste Marion Collé.

Furio Ganz
Visual artist and video artist

Furio Ganz was born in Venice in 1991. He studied new technologies for art in Venice and Cardiff. His research begins with readymade and found footage, then crosses over with documentary and digital imaging. Often linked to music and performance, Furio Ganz's work has been seen at Sonar 2019, Biennale Musica 2016 in Venice, MAXXI Museum and Macro Museum in Rome, Red Bull Festival, Maker Fair, Performance Art Week in Venice.
In recent years, he has created video content for the Biennale Architettura di Venezia 2021, Biennale Danza di Venezia, Pinault Collection, Gucci, MasterCard, Artes Mundi, Camera Nazionale della Moda Italiana. He currently teaches digital materials for art and fashion at the IUAV University in Venice.

Franck Jamin
Scenographer

After graduating with a diploma in architecture (DPLG) in 2000, and building on his research and architectural fiction devoted to secret spaces, where he puts himself on stage, he founded the G.I.L.L.E.S. collective with a number of artists, and produced his first set designs for shows and exhibitions. He then spent three years as a guest artist at the Fleury-Mérogis conservatory, developing in situ projects.
Since 2004, he has worked on almost all of Daniel Larrieu's choreographic creations, from "N'oublie pas ce que tu devines" to the re-creation of "Chiquenaudes" and "Romance en Stuc" in 2019. At the same time, he works on numerous scenographic projects with other artists: Marie Hélène Dupont, José Montalvo, Dominique Hervieu, Osman Kassen Khélili, Denis Lachaud, Laurent Larivière, Vincent Rafis.
In 2009, he met Nicolas Frize on "La-concert de porcelaine", at the Manufacture de Sèvres; he has since collaborated on the composer's various live performance and lutherie projects: "Intimité", "Silencieusement", " ... Symphonie pour objets infinis", a musical mobile for Hermès, "Embrassades insensées" and in 2020: "Impressions... d'être".
In 2012, he designed the sets for "À quoi rêvent les autres" and "Una Madre" directed by Amahi Camilla Saraceni. In 2018, he designed two musical experiments for the stage: "Insanae Navis" with the Warning collective and composer Januibe Tejera, and "Voyage d'hiver", by Sébastien Gaxie and Clara Chabalier. He has worked with Alvise on three creations: "Le Hurle" (2021), "Micrographia" (2022) and "En mon for intérieur#1" (2024).

Julien Soulatre
Lighting designer

Since adolescence, Julien has been interested in photography and sound creation. In 1995, he became a conscientious objector and spent two years training at a theater school in Rennes, where he was also responsible for the technical management of the venue, as well as running amateur theater workshops for audiences aged 5 to 18. In 1997, he joined the Compagnie du Théâtre de l'Enfumeraie, in Le Mans, as a multi-skilled technician (set, lighting, scenography, sound design) and took over the position of general manager a few months later.
He moved to Marseille in 2003, where he has worked with Manon Avram, Angelin Prejlocaj and Christophe Haleb, among others, and has accompanied international tours of dance shows, hosted theater and concerts, and created lighting for companies.
In 2016, he met Alvise Sinivia and Simon Rouby, during their residency at the Villa Medici in Rome, with whom he took part in various in situ performances, halfway between traditional performance techniques and a more contemporary approach. From there, he aspires to participate in more performative creations, small atypical forms, in which he takes pleasure in sharing the stage with his collaborators. He advocates in situ lighting, becoming an actor and manipulator of luminous objects. In 2022, he joined the Yoann Bourgeois team as tour manager.