Émergence is a listening time devoted to new writing by students of the composition classes of the Pierre Barbizet Conservatory and the Cité de la Musique de Marseille.
Under the pedagogical direction of four professors, Loïse Bulot, Jean-Luc Gergonne, Terence Meunier and François Wong, the students' electroacoustic creations are spatialized on an orchestra of loudspeakers.
As a breeding ground for musical creation, Émergence helps broaden the horizon of tomorrow's music.
In recent years, Loïse Bulot, Nicoló Terrasi, Bertrand Wolff, Lucien Gaudion... had been spotted: artists that we find today in other programs crossed with the visual arts, digital and instrumental music.
Production 
GMEM 
Within the framework of 
 la Belle Fête de Mai
In partnership with The Convent
Louise Balalas 
composer 
Classical pianist trained at the Conservatoire National à Rayonnement Régional de Marseille, Louise Balalas has opened up to other artistic disciplines such as image composition and electroacoustics. She evolves in a universe mixing all the arts such as dance, theater, cinema, plastic arts and combines classical music with other musical styles. The essence of art is that all these disciplines are inseparable from each other.
Loïc Guerineau 
composer 
Loïc Guerineau is a 3rd year student in electroacoustic composition at the Cité de la Musique de Marseille and in the master's program Acoustics and Musicology at the University of Aix-Marseille. He is engaged in a research-creation project on urban soundscapes. He is particularly interested in the possible articulations between sound ecology and musical composition, and in the political dimension of listening.
Tyfen Guilloux 
musician and multidisciplinary artist 
Tyfen Guilloux has lived in Marseille since 2016 where she developed a musical practice and a strong relationship to improvisation, alone or in ensemble, before integrating that of electroacoustic composition.
She is one half of the Zone Négative  project (w/ Nora Neko), plays in a magnetic duo with Luci Schneider (Quel Enfer!), and edits since 2018 the collective publishing project La Veille.
She is particularly interested in the processes of creation and in questions of memory(s), otherness or commonality, and in the phase shifts that the vertigo of the great whole produces. 
Iris Kaufmann 
sound artist, performer and ethnologist 
Gatherer of sound bodies of all kinds, sounds, songs, words, practices from oral tradition, she bases her compositional approach on the reuse of these materials in the elaboration of plural artistic forms at the crossroads of research, experimentation, and patrimonial valorization. Her current work and projects are focused on the study of sound creation processes within the phenomena of paramusic linked to traditional agricultural and agro-pastoral activities.
Thomas Ledru 
composer 
Found objects. Collages. Bricolages. Detour. Ruins, Rust. Echoes. In the end, it will always be punk rock.
Thomas Ledru lives in Marseille. He is a student in electroacoustic composition at the Pierre Barbizet Conservatory. 
Nathalie Le Gallou-Ong 
composer 
Nathalie Le Gallou-Ong participates in 2017 in the creation of a Jazz and Young Audiences festival at Le Cri du Port and inscribes listening practices and radio creation. At the same time, she experiments with a format of "sound massages", compositions for headphone listening and tactile performance. She joined the electroacoustic class at the Cité de la Musique and trained in sound documentary at Phonurgia Nova. After the realization of le sel, les oiseaux et la terre (2022), she is interested in landscapes, paintings in which contemplation, wandering thoughts and imaginary worlds take place.
Florence Rigou 
composer 
After a CEM in harpsichord at the Henri Tomasi Conservatory in Corsica, where she studied baroque music as well as contemporary pieces (Ohana, Ligeti, Glass), she became interested in new musical technologies and discovered concrete music at the Cité de la Musique in Marseille, where she is currently studying electroacoustic music.
Juliette Rillard 
singer and vocalist, musician, author and composer 
Curious and polymorphic by nature, she seeks common paths to various disciplines of artistic expression and thus blossoms alongside varied, often transversal projects. She is currently studying electroacoustic composition at the Cité de la Musique in Marseille.
Dmytro Voronov 
composer 
Born in 1994 in Vychgorod, Kyiv region, Ukraine. Dmytro Voronov studied academic solo singing with professor Valeriy Buimister, level of "Specialist" and "Assistant of the professor". In 2021, he enters the Conservatoire de Marseille in a higher education program with the voice teacher Magali Damonte and in the electroacoustic class of Jean-Luc Gergonne.
Jacques Sorrentini Zibjan 
composer 
Jacques Sorrentini Zibjan has a practice of image and sound. Initially a self-taught musician (double bass & percussion), he was introduced to composition in Maxime Barthélémy's electroacoustic class in 2015, then went on to the Arles School of Photography and the Lussas School of Documentary Film. His current work concerns photography, music and cinema.
The Convent, Marseille
52 Rue Levat13003
Marseille
RATE
Free admission subject to availability
DURATION
2h00 approximately 
BAR AND RESTAURANT 
Le Couvent
The GMEM is committed to the environment and invites you to favor sustainable means of transportation.
Electroacoustic composition class of the Pierre Barbizet Conservatory of Marseille : 
Louise Balalas 
 IrisKaufmann 
Thomas Ledru 
 DmytroVoronov 
emerging composers 
Jean-Luc Gergonne 
professor of electroacoustic composition 
Electroacoustic composition class of the Cité de la Musique de Marseille : 
Loïc Guerineau 
Tyfen Guilloux 
 NathalieLe Gallou-Ong 
Florence Rigou 
Juliette Rillard 
Jacques Sorrentini Zibjan 
emerging composers 
Loïse Bulot 
Terence Meunier 
François Wong 
electroacoustic composition teachers 
Bérangère Maximin 
guest composer 
MUSICAL PROGRAM
Creations (2023)
 
                         
                            