In Extenso, Danses en NouvellesBetween Acts and Between Acts, a series of choreographic episodes to be produced between 2018 and 2020, which are intended to constitute a program with adaptable combinations
In two pieces, Hervé Robbe questions the relationship between the performer and the author in a partition of space and time open to group constructions as well as to individual narratives. A first community of 4 people carries within it the dissonance of times, and an imperious need to jeopardize the base and the rules which constitute it.
Opus 1 : Dance of 4
A choreographic quartet, a Quad, a Square, 4.3.2.1.4...
In drums and trumpets. A square which does not spare the squaring of the circle.
Four interpreters, two women two men.
Dress-code: kilt and black parka, not a uniform, but perhaps the affirmation of the signs of belonging to a tribe.
A community which already carries in it the dissonance of the times, and an imperious need to put in danger the base and the rules which constitute it. A ritualized wandering which works the impact of the meeting under warlike and sometimes grimacing paces. A friction of the gestural matter Robbiène with some gestures very freely reappropriated from the Kingdom Radically Uplifted Mighty Praise (KRUMP). A square kingdom thus, so simple and ordered in appearance, or rather a stronghold unceasingly surveyed and theater of their incantations. Calls but also cries muffled by their own hands in the form of muzzles. All of this is set to music by the composer Charles Ives, who worked all his life as an insurance broker, interspersed with Squares and Lines created by the composer Jérôme Combier.
Danse de 4, a title that says nothing of the fear and tragedy of the uprising of the bodies.
Opus 3 : Danse de 6 (After all, inside or outside...)
Of the in-between and the confrontation. To test the coexistence of two distinct dramaturgical lines and choreographic syntaxes. To play with the contrasts in a common textual and recitative bath...
A choreography for six dancers.
Six characters in search of authors and in the simultaneous deployment of their individual stories.
Two parallel worlds inside and outside. Inside the stage. Outside a virtual window with varied landscapes. Inside or outside a coexistence and natures of presence which adjoin, friction, observe or polemicize. A structure like a score of time and spaces.
To try to invent a chronology of events, to imagine arrangements of rhythms, textures and materials in space, to create forms which dress and inhabit the time in porosity with the body and the places.
Partnership
KLAP Maison pour la Danse, GMEM
Delegated production
Travelling&Co - a company supported by the DRAC Ile-de-France - Ministry of Culture
Coproduction
CNDC Angers - as part of the Accueil studio
Support
Fonds SACD Musique de Scène, Ménagerie de Verre in the framework of StudioLab, CN D (Pantin), Micadanses (Paris)
Hervé Robbe
choreographer, dancer
Hervé Robbe was born in Lille in 1961. Trained at Mudra, Maurice Béjart's school in Brussels, while studying architecture, he began his career as a performer with the classical and neoclassical repertoire and took his first steps as a choreographer with the company Le Marietta secret, for twelve years. Then, for thirteen years, Hervé Robbe directed the Centre chorégraphique national du Havre Haute Normandie. In January 2012, he created a new production structure: Travelling&Co. To date, Hervé Robbe has created some fifty choreographic shows, which have been performed in France and abroad. Research into movement and the potential of new choreographic writing has been at the heart of his artistic approach. He has developed pedagogical programs for dance school projects: Conservatoire de Paris (CNSMDP), CNSMD de Lyon, CNDC d'Angers, Coline à Istres, CDC de Toulouse, Ecole nationale supérieure de Marseille, APA Hong Kong, Mito Art Tower Japan. Hervé Robbe has always been involved in the mediation of choreographic culture, with school and amateur audiences, as well as with teachers, mediators, dance professors, and their referent training centers (CEFEDEM, Centre national de la danse in Pantin). His projects have led to collaborations with composers (Costin Miereanu, Kasper T. Toeplitz, Cécile Le Prado, Thierry Blondeau, Frédéric Verrières, Andrea Cera...), visual artists (Richard Deacon, Kozue Naito), video artists (Christian Boustani, Valérie Urrea, Aldo Lee, Vincent Bosc). This work has led to partnerships with art schools, university departments and image centers. It has allowed dance to be present in extended networks: Ircam - Centre Pompidou, Le Fresnoy, MuMa du Havre, Biennale Arts Le Havre, Numéridanse.tv, Fondation Cartier.
- www.herverobbe.com
Jérôme Combier
composer and artistic director of the ensemble Cairn
Jérôme Combier is a composer and the artistic director of the Cairn ensemble, which he founded in 1997. He first studied composition, writing, analysis and orchestration with Hacène Larbi, then at the CNSM in Paris in 1997 (Emmanuel Nunes, Michaël Levinas). In 1998, he participated in the composition session of the Royaumont Foundation and, as part of an exchange, went to Japan for two months. In 2001 Jérôme Combier was awarded the Prix de la Vocation (laureate of the Bleustein-Blanchet Foundation) and in 2006 the Prix Pierre Cardin. In 2001-2002, he studied composition and computer music at Ircam. From 2004 to 2005, Jérôme Combier was a resident at the Académie de France in Rome - Villa Médicis. Jérôme Combier writes for the ensemble Recherche, for the ensemble Intercontemporain within the framework of the Festival d'Automne in Paris. In collaboration with Pierre Nouvel, he created the installation Noir gris for the Beckett exhibition organized by the Georges Pompidou Center. His music is played at the Louvre as part of the cycle Le Louvre invite Pierre Boulez. In 2011, with Pierre Nouvel and Bertrand Couderc, he adapted W.G. Sebald's novel Austerlitz for the stage, which was premiered at the Aix-en-Provence Festival. In 2012, he wrote the opera Terre et cendres with Atiq Rahimi, commissioned by the Opéra de Lyon. He gives masterclasses at the University of Berkeley (San Francisco), at the conservatories of Antwerp, Liège, Lugano, at the Royaumont Abbey, at the Unesp University in Soa Paulo and McGill University in Montreal. Jérôme Combier's music is published by Lemoine and Verlag Neue Musik (Berlin), and recorded by the Cairn ensemble for Motus and Æon. In 2012 he was awarded the New Talent Prize of the SACD and in 2017 the Koussevitzki Foundation Prize, Library of Washington (USA). Since 2012, he has been teaching sound and music creation at the École Nationale Supérieure des Arts de Paris-Cergy.
- www.ensemble-cairn.com/ensemble/Jerome-Combier
KLAP House for Dance
5, avenue Rostand13003
Marseille
DURATION
1h15 approximately
RATE
unique 5€
reservation
publics@kelemenis.fr
04 96 11 11 20
Hervé Robbe
conception, choreography, costumes
Jérôme Combier
music - original creations
Alice Lada, Vera Gorbatcheva, Alexis Jestin, José Meireles
dancers of "Danse de 4
Alice Lada, Vera Gorbatcheva, Alexis Jestin, José Meireles, Emmanuelle Grach, Pierre Lison
dancers of "Danse de 6
François Maillot
light creation
Jean-François Domingues
his
WORKS OF
Charles Ives
Remembrance
The Unanswered Question
Evening
Jérôme Combier
Squares And Lines : Square 1 & 2
Line
Solo-Line 1, 2, 3 and 4