Work residency, for a contribution to the recording to be released in 2024 by the artist rodín(https://neblum.art/):
specifically on vocal practice associated with a
experimental instrument, consisting solely of rattles and toupins, in order to produce
to produce and record a composition.
And as part of the closing event of the Alpage festival, in partnership with the Chaillol festival (05): preparation of an acousmatic performance.
The residency will also allow us to continue experimenting with and writing the Beau Bruit performance, presented on this occasion alongside Christian Sebille's Le chant des cimes.
cimes by Christian Sebille.
Support
IDEMEC Laboratory (CNRS)
Beau Bruit is part of the Faiseurs de Paysages cycle, supported by the Occitanie Region "Aide au PCI", department of Occitan and Catalan cultures; the DRAC Occitanie; the PNR Aubrac; the Communauté de Communes des Causses à l'Aubrac; the Observatoire du Patrimoine Sonore Pyrénées-Méditerranée.
Iris Kaufmann
artist and ethnologist
Composer, performer and ethnologist, founder of the FeM company and co-director of the DRALHAS ciné-concert, co-produced by FeM & L'Excentrale, she has been working since 2018 on the use of bells in agro-pastoralism. As part of the BATALH! group, she is also collaborating on the invention of a new instrument, the campanophone, a device armed with bells and rattles. Since 2021, she has directed a multi-restitution research and creation cycle, "Faiseurs de Paysages", focusing on the analysis of sound composition practices used in transhumant pastoralism. She is currently working on a performance, "Beau Bruit", combining research report, ethnographic narrative and sound creation, alongside commissions for sound creations at the crossroads of ethnology, radio and electroacoustic composition.
Iris Kaufmann
artist and ethnologist