This workshop for instrumentalists and non-instrumentalists is intended, in priority, for students in electroacoustic composition or visual arts - sound orientation.
During these practice sessions, we will decentralize the stake of the tool - whether it is a conventional musical instrument, voice or sound body, electronics, etc. - to focus on more performative parameters. - to focus on more performative parameters: involvement of the body, apprehension of space, management of time and form, immediate arrangement.
Using tools of instantaneous composition, we will build sound spaces and use listening as the main vector.
This cycle takes place over 8 sessions.
We will build a collective dimension, and if you are interested in the workshop, it is important to participate in as many dates as possible.
Necessary material to be chosen from the following list:
- conventional acoustic or electronic musical instruments
- original lutheries
- sound bodies of all origins, any object producing sound
- voice
- ....
On site, amplification possibilities: microphones, line inputs.
Partner
la Cité de la Musique
Composer François Wong is interested in sound in its vertical state (digging into matter) and in its temporal organization. He designs pieces and devices for instrument or sound installation, with listening as his main guide.
His projects(Agartha, saxophone and electronics), Fil de Son, (walking and sound recording of the landscape) are the subject of regular writing residencies (GMEM, Muse en Circuit, GMEA...).
GMEM (Friche la Belle de Mai)
41 Jobin Street13003
Marseille
Registration with teachers
DURATION
4h
François Wong
teacher at the Cité de la Musique