creation

Our setup is simple: 2 power speakers - one for each.

It is their placement in the space, precisely worked out beforehand, which in a way interprets and makes tactile the biphony that our improvisation chisels; this placement is done according to the singularity of each architecture.the two points of reflections of the sound are our natural amplifiers.they are like the soul of our imaginary instrumentarium.

The materials used for the construction of the building thus give the internal content of the room; thus each place has its own music.

To this architecture, via these two loudspeakers always situated one in front of the other, we associate an electronic sound, and it is this sound, unique, double monophonic, that we modify and work deeply in its textures, values and characters, subtly, slowly, until it circulates of itself within the listening space.

On our game tables, four dictaphones crumble words from texts created for the place. This slightly broken materiality of the meaning breaks with the sonic volutes, it proposes a hazardous fiction, it shifts the concert towards a poetry pencilled in the hollow of the space.

Mentions
Biography(s)
From a distance...
Carole Rieussec, Lionel Marchetti
Sound experimentation
Concert

DURATION
Free

Distribution

Carole Rieussec
decks

Lionel Marchetti
synthesizer

On tour

EN 2020

May 7,2020 - Festival Propagations, GMEM, Marseille

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