La prédiction des oscillations is an unclassifiable form, an unidentified scenic and musical object, the fruit of an encounter between composer and director Benjamin Dupé and neuroscience researcher Daniele Schön.
Acclaimed at its premiere at the Musica festival in Strasbourg, the show weaves together scientific discourse on the workings of our brains, contemporary musical creation and original theatrical situations with a subtle sense of balance. Imbued with humor, a desire to share and poetry, the performance leaves behind any didactic spirit to combine sensibility with knowledge, play with discourse, and thus build joyful spaces of resonance.
From the history of cerebral metaphors to laboratory experiments transposed to the stage, which require audience participation, via the importance of chance in scientific research, La prédiction des oscillations questions our representation of the brain and in particular our unfortunate tendency to consider it as a super-computer. Contrary to this ready-made thinking dictated by the tech and AI industries, another neural theory takes shape, a musical theory in essence, made up of oscillations, synchronizations and predictions. A new way of looking at things that opens up as many perspectives on who we are as it does new artistic gestures and interactions.
Production
As I understand it, the productions
Coproduction
Festival Musica, Strasbourg, Vélo théâtre années n+1 - scène conventionnée pour le théâtre d'objet et le croisement des arts et sciences, Apt
Support
Maison de la Musique Contemporaine
Hosted residency
PRISM laboratory - CNRS Marseille
Composer and stage director born in 1976, Benjamin Dupé studied at the Conservatoire de Nantes and then at the Conservatoire National Supérieur de Musique de Paris. He devotes himself to musical creation in the broadest sense: instrumental, vocal or electroacoustic writing, performance, musical theater, opera, installation... His multidisciplinary approach to music, his sense of the dramaturgy of listening and his preoccupation with the encounter with the spectator lead him to stage his work as a composer. He has received commissions from the French government, national centers for musical creation, Radio France, Ircam, Ina GRM, SACD, ensembles, orchestras, etc. His works are performed at music festivals, lyric institutions and general venues in France and abroad.
Artistic director of the company Comme je l'entends, les productions, he was awarded the Prix nouveau talent musique by the SACD in 2016, and is a laureate in 2021 of the Mondes Nouveaux program of the French Ministry of Culture.
Daniel Schön
Daniele Schön studied cello at the Padua Conservatory (Italy), and went on to perfect his skills first with Teodora Campagnaro, a pupil of Antonio Janigro, and then with Menahem Meir, a pupil of Alexandre Alexanian and Pablo Casals. He has played in a variety of formations, baroque, classical and jazz, with a predilection for chamber music and the string quartet in particular.
Before leaving Italy under the Berlusconi regime, he also studied neuropsychology at the University of Padua. He prepared and obtained a doctorate in neuroscience between Marseille, Trieste and Ljubljana.
In 2004, he became a CNRS researcher. He currently works at the Institut de Neurosciences des Systèmes in Marseille, where he is interested in the links between music, language and the brain, with a particular focus on language pathologies.
Guillaume Kosmicki - ResMusica (October 2, 2024)
Friche la Belle de Mai (Petit Plateau)
41 Jobin Street13003
Marseille
DURATION
approx. 1h
PRICE PER PER PERFORMANCE
Full: 8€
Reduced: 6€*
*Young people aged 12-25, students, jobseekers, people on minimum social benefits, intermittent workers, seniors aged 65 and over - with proof of age.
Free admission for loyalty card holders Modulations (by reservation only)
PRACTICAL INFORMATION
Latecomers will not be admitted to the auditorium, as some shows - at the request of the artistic teams - do not tolerate late entries.
TICKETS FROM 1/09/25
Online: gmem-cncm.mapado.com
By e-mail: billetterie@gmem.org
WITHIN THE MODULATIONS
What are the Modulations?
Concerts, performances, regular events...
In other words, a season organized by the GMEM.
1st semester dates:
16/09/25- 21/10 - 18/11 - 14/12 - 16/12
2nd semester dates:
20/01/26- 17/02 - 17/03 - 22/03 - 14/04 - 10/05
Benjamin Dupé
conception, music, dramaturgy and direction, live electronic music, spoken voice
Daniele Schön
research associate, cello, spoken voice
and the active participation of spectators solicited during the performance
Julien Frénois
sound and technical management